Love Is Cartoon Pictures Definition
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In 1906, Vitagraph released the first animated film in the United States, Humorous Phases of Funny Faces, by cartoonist James Stuart Blackton. It featured a series of faces, letters, and words being drawn. This rudimentary foundation encouraged other cartoon pioneers, including Emil Cohl and Winsor McCay. Cohl produced Drame Chez Les Fantoches (A Drama in Fantoche's House) (1908), a film more like modern classics, both funny and with a well-developed plot. McCay's Little Nemo (1911), the first fully animated film, was based on his Newspaper comic strip. His Gertie the Dinosaur (1914) was the first to use frame-by-frame animation, which produced fluid motion. Gertie also initiated fascination with a central character.
In the 1910s, animated cartoons were also being produced as series. John Randolph Bray had success with a number of them. Bray and other innovators developed ways of speeding up the drawing process using translucent paper, which enabled quicker drawing. The decade also witnessed the rise of the cell animation process and other important advances.
Like early motion pictures, the cartoons were silent. Various methods of portraying speech were used, from balloons to dialogue on the screen, sometimes confusing the audience. In addition, the cartoonists lacked the resources to focus on story continuity. Often the cartoonist did all the work individually or with a small staff. Cartoons might have disappeared without sound.
Disney and Warner Brothers
The first sound cartoon, Song Car-Tunes, produced by Max and Dave Fleischer, appeared in 1924, three years before the first talking motion picture, Al Jolson's The Jazz Singer. Walt Disney introduced Mickey Mouse in 1928 in Steamboat Willie. In the 1930s, sound production fueled the growth of cartoons. In this period, Warner Brothers introduced the Looney Tunes series.
After the success of Steamboat Willie, Disney created the first full-color cartoon, Flowers and Trees (1932). Five years later, he scored with the first animated feature movie, Snow White and the Seven Dwarfs. It earned $8 million in its initial release, a success enabling Disney to build his empire. Disney established the idea that unique cartoon personalities would draw audiences. His company led the industry in cartoon development and Disney's success was widely copied. Disney also pushed merchandising, created the Disney theme parks in California in 1955 and Florida in 1971, and introduced a television show. He followed Snow White with a series of animated films that remain favorites, including Pinocchio (1940), Fantasia (1940), Bambi (1942), Cinderella (1950), and Peter Pan (1953). Drawing on universal themes, like good versus evil and family, the films featured songs, humor, slapstick, and emotion, all with intricate scenery, detailed drawing, and wonderful musical scores. Disney films were so triumphant that other animators essentially abandoned the field for twenty years.
Warner Brothers rivaled Disney in the early years of animated films. Cartoonist Chuck Jones popularized the wisecracking Bugs Bunny, who first appeared in the 1940 short, A Wild Hare. While at Warner from 1936 to 1962, Jones also created Elmer Fudd, Porky Pig, Road Runner, and Wile E. Coyote. Jones's favorite, however, was Daffy Duck, the daft everyman who first appeared in 1937. Jones is acknowledged as the inspiration of everything from the smart alecky Rugrats to the blockbuster movie The Lion King (1994). Except for Disney, no one had a more lasting influence on the development of cartoons.
In the 1910s, animated cartoons were also being produced as series. John Randolph Bray had success with a number of them. Bray and other innovators developed ways of speeding up the drawing process using translucent paper, which enabled quicker drawing. The decade also witnessed the rise of the cell animation process and other important advances.
Like early motion pictures, the cartoons were silent. Various methods of portraying speech were used, from balloons to dialogue on the screen, sometimes confusing the audience. In addition, the cartoonists lacked the resources to focus on story continuity. Often the cartoonist did all the work individually or with a small staff. Cartoons might have disappeared without sound.
Disney and Warner Brothers
The first sound cartoon, Song Car-Tunes, produced by Max and Dave Fleischer, appeared in 1924, three years before the first talking motion picture, Al Jolson's The Jazz Singer. Walt Disney introduced Mickey Mouse in 1928 in Steamboat Willie. In the 1930s, sound production fueled the growth of cartoons. In this period, Warner Brothers introduced the Looney Tunes series.
After the success of Steamboat Willie, Disney created the first full-color cartoon, Flowers and Trees (1932). Five years later, he scored with the first animated feature movie, Snow White and the Seven Dwarfs. It earned $8 million in its initial release, a success enabling Disney to build his empire. Disney established the idea that unique cartoon personalities would draw audiences. His company led the industry in cartoon development and Disney's success was widely copied. Disney also pushed merchandising, created the Disney theme parks in California in 1955 and Florida in 1971, and introduced a television show. He followed Snow White with a series of animated films that remain favorites, including Pinocchio (1940), Fantasia (1940), Bambi (1942), Cinderella (1950), and Peter Pan (1953). Drawing on universal themes, like good versus evil and family, the films featured songs, humor, slapstick, and emotion, all with intricate scenery, detailed drawing, and wonderful musical scores. Disney films were so triumphant that other animators essentially abandoned the field for twenty years.
Warner Brothers rivaled Disney in the early years of animated films. Cartoonist Chuck Jones popularized the wisecracking Bugs Bunny, who first appeared in the 1940 short, A Wild Hare. While at Warner from 1936 to 1962, Jones also created Elmer Fudd, Porky Pig, Road Runner, and Wile E. Coyote. Jones's favorite, however, was Daffy Duck, the daft everyman who first appeared in 1937. Jones is acknowledged as the inspiration of everything from the smart alecky Rugrats to the blockbuster movie The Lion King (1994). Except for Disney, no one had a more lasting influence on the development of cartoons.
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Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
Love Is Cartoon Pictures Animated For Myspace with quotes Tumblr For Her Him Facebook Download
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